If any provision of this Agreement is found to be invalid, void or, for any reason, unenforceable, that provision shall be deemed severable and shall not affect the validity and enforceability of other provisions. The information in this article is primarily intended for self-published authors, but the principles of copyright in an audiobook are the same for traditionally published authors. The difference lies in the fact that a traditional publishing house, when it has secured the audio rights in its publishing contract with you, is responsible for managing the recording rights in order to ensure that the creation of the audiobook from your underlying work meets the terms of the agreement. Many IP transfer contracts include both a lending language and a language transfer of IP rights. This is the “belt and shoulder straps” approach. The agreement can be viewed via the following links: A simple contract in which the voice-over talent and the producer or engineer transfer all their rights to you for a consideration – payment – is all you need to safeguard these rights for yourself. The fundamental understanding that you are the owner of all rights must be written. A direct “Work for Hire” agreement might not be enough, as voiceover talent and production/engineering work do not fall directly under the nine categories of interim defined in copyright law…

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